Bronze sculpture has been a revered art form for centuries, with styles broadly categorized into representational and non-representational. Representational bronze sculptures aim to depict recognizable subjects—human figures, animals, or objects—with lifelike accuracy. These works emphasize proportion, detail, and realism, often serving as historical or cultural records. Famous examples include Auguste Rodin’s "The Thinker" and ancient Greek statues.

In contrast, non-representational bronze sculptures abandon literal imagery, focusing instead on abstract forms, textures, and emotions. Artists like Henry Moore and Barbara Hepworth pioneered this style, using bronze to explore shapes, movement, and conceptual ideas rather than tangible subjects. The absence of identifiable forms invites viewers to interpret meaning subjectively.

Key differences lie in intent and execution. Representational sculptures prioritize technical skill and narrative clarity, while non-representational works value experimentation and emotional resonance. Both styles, however, showcase bronze’s versatility—whether capturing reality or transcending it. Collectors and art enthusiasts often debate their merits, but each contributes uniquely to the evolution of sculptural art.

Understanding these distinctions enriches appreciation for bronze sculptures, whether admiring classical realism or embracing modern abstraction.