Porcelain sculptures serve distinct purposes depending on whether they are created for research institutions or public museums. Research institutions prioritize scientific and historical analysis, often selecting pieces with unique material compositions or experimental techniques to advance ceramic studies. These sculptures may lack elaborate aesthetics but hold immense value for academic inquiry.

In contrast, public museums focus on displaying porcelain sculptures with high artistic and cultural significance, chosen for their visual appeal and ability to engage broad audiences. Such pieces often represent historical periods, regional styles, or renowned artists, emphasizing storytelling and education.

Additionally, research institutions may store fragile or incomplete sculptures for study, while museums prioritize conservation and public accessibility. The latter also invests in detailed curation, lighting, and interactive displays to enhance visitor experience. Ultimately, the key differences lie in intent—research versus public engagement—and the criteria for selection, preservation, and presentation.