Porcelain sculptures have long been cherished by collectors worldwide, but preferences vary significantly between Eastern and Western cultures. Eastern collectors often prioritize historical significance, intricate craftsmanship, and symbolic meanings rooted in traditions like Chinese or Japanese aesthetics. Pieces from dynasties such as Ming or Qing are highly sought after for their cultural narratives and delicate techniques like blue-and-white or famille rose.

In contrast, Western collectors tend to favor porcelain sculptures that align with European artistic movements, such as Rococo or Baroque styles, emphasizing grandeur and decorative appeal. Brands like Meissen or Sèvres are popular for their elaborate designs and historical ties to aristocratic patronage. Western buyers may also value uniqueness and provenance, while Eastern collectors often appreciate continuity with ancestral heritage.

Market trends further highlight these differences: Eastern auctions spotlight rarity and age, whereas Western markets may emphasize artistic innovation and condition. Understanding these distinctions helps collectors and enthusiasts navigate the global porcelain sculpture landscape with greater insight.